Cameracronica Magazine
> Colophon

• Editor/Direttore: Giacinto Cerviere


• Scientific Committee/Comitato Scientifico:

Maria Giuseppina Grasso Cannizzo, Martin Rein Cano (Topotek 1), Nasrine Seraji


• Publisher/Editore and Copyright:

ISSN 2281 - 1311 | Libria Edizioni  www.librianet.it

Vico Villafranca 3 - 85025 Melfi, Italy


• Editorial Evaluation/Valutazione editoriale:

Proposals undergo a double blind peer review procedure

Le proposte sono sottosposte alla revisione tra pari a doppio cieco.


• Leggi/Read: Codice Etico / Code of Ethics

• Leggi/Read: Publication Malpractice Statement


• Media Partner:

Oil Forest League  www.oilforestleague.com


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+39 02 947 505 22 (voicemail) | info@oilforestleague.com


• Prezzo di copertina/Cover Price:

Italy: 10 Euros | Other EU Countries: 12 Euros | USA and Canada: 24 Euros

• Abbonamenti/Subscriptions:

Italy: 30 Euros | Other EU Countries: 45 Euros | USA and Canada: 60 Euros

 
Cameracronica Magazine
> read an extract

Read/Leggi  READ AN EXTRACT 


 
Historic Architects
> Gilles Ivain (Ivan Chtcheglov)

Gilles Ivain (Ivan Chtcheglov) è nato a Parigi nel 1933. Membro di breve durata dell’Internazionale Lettrista dal 1952 al ‘54. Una delle rare tracce dell'importante suo ruolo svolto tra il 1953-54 rimane il Formulario per un nuovo urbanismo. Ivain fu internato dagli anni ‘60 in una clinica psichiatrica dove morì il 21 aprile 1998.

 
Cameracronica Contributors
> Wiel Arets

Wiel Arets (1955) is a Dutch architect, theorist, urbanist, industrial designer, and dean of the Illinois Institute of Technology's College of Architecture in Chicago, USA. He studied at the Eindhoven University of Technology, graduating in 1983, and founded Wiel Arets Architects in the same year. From 1995-2002 he was dean of the Berlage Institute in Rotterdam, where he introduced the idea of 'progressive-research' and co-founded the school's architectural journal named HUNCH.


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Cameracronica Contributors
> Topotek 1

TOPOTEK 1 was founded in Berlin in 1996 by Martin Rein-Cano. It works around the field of landscape architecture and understands itself as a traveller within the fringe areas of typologies and scales, jaunting into architecture, urban design, music and art. The hybridisation of topics and disciplines, the removal, transmission and re-contexualisation of various design features and objects, and the staging and design of scenographic sequences are just some of their key strategies.


> Go to website

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